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Joined 1 year ago
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Cake day: July 26th, 2024

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  • nobody is forcing Olivia Dean to use Ticketmaster

    sigh I really really wish you were right about this, but I think you’re grossly overlooking one important detail.

    Ticketmaster is owned by a company called LiveNation. LiveNation paritially owns or signed licenses to almost every single large venue. If you’re a big band, you’ll unfortunately need a large venue and the only company able to provide that service in most of the United States (ignoring Los Angeles, New York, or other huge metro areas) is LiveNation.

    So the gambit that Ticket Master has employed: 1 - Bail out almost every huge stadium with financial investment, but with intent to sign a special license which gives them ticket priority (so LiveNation gets the tickets first) 2 - Sell these tickets on TicketMaster, with 1/4th being intentionally given to ticket resellers with the intent of inflating the market (each transaction on the “used” market is actually redirected to TicketMaster).

    I’ve looked and in my city (Portland, Oregon) there’s only a 2 venues that are large enough for a popular artist to play at that aren’t owned or invested into by live nation, and these venues might not always be appropriate for acoustic needs. You can read more about this here but, to put a point on it, I actually don’t think artists are to blame for needing to sell tickets on ticket master due to how hard it is to find a large venue in every city across the United States. Otherwise, you’ll end up paying ticket master more for venue access anyway, from my understanding. Granted, all of this is hard to know for sure, as you’d actually have to have experience with managing a multi-million dollar band or singer to really understand the scope of the problem here.




  • Used to go to SF for work events.

    It felt like a town that once had culture that still wants to peek out, but it almost entirely covered with silicon valley monotony and misanthropic policies. It feels like a city where the people living there are the after thought, and the tablet where you order your coffee while you sit around a room where nobody makes eye contact or speaks to you is the product.

    I’m sure there’s a part of the city where humanity still thrives, but it should be a cultural warning to those who are adopting silicon valley cures as anything other than snake oil.






  • Let me know how it goes.

    Another feature that might be useful in the arsenal is that you can purposely downclock the refresh rate of the gamescope session when the window is out-of-focus, which means you can put less burden on the computer when multi tasking. Obviously the game will run at a lower frame rate when focus is away, but this might be OK if you want to free up more system resources for watching videos.

    But like the other use said, a good place to start is making sure hardware accel is on within Firefox (or whatever browser you’re using.)


  • Right now it is ESO and nothing else, when she tries the whole system lags until she can move the mouse painfully slowly to the browsers X.

    Maybe you should consider using gamescope? This is what the steam deck uses internally to isolate games so that they fight with the window manager less often.

    On KDE Kubuntu, you should have no problem installing it if you’ve installed steam as a .deb from the website. Basically, install it either from source or repo (whichever is recommended for ubuntu) and then modify your steam game settings to something akin to the following:

    gamescope -f -- %command%
    

    This will launch the game in an isolated WM so that it interferes less with your existing window manager. There’s a tonne of settings, so gamescope --help might give you more details.

    Steam is apparently working on making this easier to access by supplying it with all steam installations in the future, IIRC, but work there isn’t finished yet.